The flip side and the legacy are so much brighter. On stage, Tina Weymouth sparkles with glowing youth. Chris Frantz is the happiest dude on the planet, owner of a perma-smile that is nothing short of contagious. And as a band Tom Tom Club perform in a groove that is eminently danceable – any attempt not to would be pure folly. Though playing tunes from two decades before last, Tom Tom Club perform as if they are fresh cuts – and they could be. ‘L’Elephant’ is perky quirk-pop, ‘The Man With The Four Way Hips’ is bouncy dub-reggae, ‘Disco Lolita’ is disco-punk (which they dedicate to Debbie Harry) and ‘Dark Sneak Love’ is synthy-electro – and the synths did squelch!